New Voices of Ireland

Dublin is a cacophony of sound and the most noticeable thing for me are all the different languages and accents you hear walking down the street.   So an exhibition of immigrant artists and connected themes was a perfect end to our day in the city last week.

New Voices of Ireland is run by the Centre for Creative Practice, an organisation in Dublin who facilitate immigrant artists and local artists working with immigrants, helping them integrate into the arts scene in Ireland and helping them get their work out there. 

The opening speaker Ailbhe Murphy, an Irish gay activist, was very eloquent and asked an interesting question about the word immigrant - if we went to work in New York say, would we be immigrants?  Probably not ... We'd more likely just be people who have moved to NY for work.   So why is it different?  in a country who's people have been so badly treated down through the years as emigrants, why are we so bad at welcoming this new wave of people to our shores.

My friend Csilla from Hungary is a poet and film maker writing in English.   She was one of 10 artists selected for this exhibition and it was a very inspirational evening.  Ranging from a play, a monologue, photography, architecture, film, and a very unusual installation of written words, the show was varied and of the highest standard. 

One who really caught my attention was Nicola Anthony who is based in London, and takes stories from refugees and immigrants and turns them into mini works of art - words carved in bronze, put in a bottle with a clock mechanism and sometimes with sound - I found it incredibly moving.

Nasrin Golden  from Iran, takes items from her home and turns them into large scale photographs that  end up resembling Persian carpets - beautiful work. 

She says: "The project uses images from the past, the longed for. However, they are shaped by the experience of cultivating a new identity in the here and now,  mirroring and duplicating in an attempt to replicate the identity of the observed and create the new. Questioning the order of form in the world around us by surrounding our self with perceptions of our own identity." 

Csilla Toldy presented two short film poems about Belfast - the changing view of the city - an outsider looking in.   They're not up on her website yet, but it was interesting seeing what an newcomer sees of our city - I tend to not see the mundane side of it and only view the nice bits, but she very cleverly highlighted the similarities between the two sides of the still divided town.  This is one of her other short film poems.

Unfortunately I didn't get time to view "Still Waiting for the Summer" by the German film makers Barbara Lubich and Michael Sommermeyer, documenting how a musical group made up of people from several different nationalities, challenged the very strong right wing element present in Dresden where they all live.   Well worth watching I'm told.   Over 30% of people in Dresden voted for the right wing Deutschland fur Alles in the last election - a very scary thought.


Wann wird es endlich wieder Sommer / Waiting for the summer's return (Trailer) from hechtfilm - filmproduktion on Vimeo.

All of the pieces presented on the night were very interesting - the other artists were Mirjana Reneduzic an actress from Croatia, Romi Cruanas a theatre director from South America, Leia Mocan who presented several pieces made from recycled waste,  Irish digital artist Joe Ryan who looked at the point when an old building is taken over by a new structure and how it changes the community.

Lots of food for thought.

In Dublin's Fair City

It's a gorgeous day here today but I'm sitting in a long queue on the phone waiting to get through to national insurance people so I'm putting the time to good use.   

For a myriad of reasons we had to cancel our planned holiday in France this year so we decided on a few day trips to make up for it.  Firstly to Dublin

And we had blue skies and warm sunshine for it on Friday.  My friend, Hungarian poet  Csilla Toldy, with whom I collaborated on a two handed theatre piece called The Emigrant Woman's Tale, had a video poem in an exhibition of New Voices of Ireland (I'll give this a separate post) so we decided to make a day of it.   The train to Dublin always feels like a treat to me (trains were already gone when I was growing up in rural Fermanagh) and after lunch in my favourite Lebanese restaurant and a wander around Grafton Street we headed in to Trinity College to see the Book of Kells.

Image borrowed from the Internet

Photography was not allowed in the main room where the actual book is on display so I've borrowed these couple of images from the Internet.  

Now, I'm sure all you learned folks reading this know about or at least have heard of The Book of Kells.   It's a 9th century illuminated manuscript of the Four Gospels plus some introductory texts which was written by 4 scribes and 3 artists as far as scholars can tell.  

It really is a beautiful thing and is considered the oldest example of its kind in Europe and is Ireland's greatest treasure.  

As well as the main manuscript, the University also holds 7 out of around 20 remaining small transcribed books that monks would have written themselves before setting out around the world to preach the gospel.  

Internet Picture ( I think this one is of Matthew)

The exhibition From Darkness to Light describes the making of the book, plus The Book of Armagh which was written slightly earlier and the Book of Durrow, what inks were used and how they. were made and the fact that the exhibit book took somewhere around 189 calf skins to make.  Such laborious work.  And the scholarly research is impressive.

I've wanted to visit this for as long as I can remember, but I'm a terrible tourist and never got around o it and unfortunately when we went in the place was packed - apparently there was a cruise ship in for the day.   We got a glimpse of the book for a couple of minutes and the young people from the tours were so noisy we couldn't wait to get out again.   I will go back sometime though - perhaps in Winter.   

The best part by far of the exhibition for me was walking through The Long Room which is the oldest library in the world and was built in the mid 1700s to house every book that was printed in the British Isles.  It's a beautiful space and houses over 200,000 ancient books and manuscripts including an original copy of the Irish Declaration of Independence - apparently only 2 of them exist.  

The magnificent Long Room

Notice there's no J on the edges - there was no
letter J in Latin

The domed ceiling was added
long after the original building to house a second level of books

 The library also houses the Brian Boru harp which interestingly (for me anyway ) has nothing to do with the 11th century High King of Ireland Brian Boru, but was given to Trinity in the 18th century and dates back to the late 14th or early 15th century.   It is the symbol of Ireland and is one of only three instruments of its kind in existence.
Again there were so many people around it was hard to get a decent photo but I loved the detail on this - it's encrusted with tiny jewels and crystals which suggests that it was the instrument of a master musician or bard or someone from a very prominent family.

A detail of the Brian Boru harp

Another image borrowed from the internet

So all in all a very interesting browse and I'd highly recommend it, if you haven't already visited.   Trinity is right in the centre of Dublin so very easy to get to - but try to avoid the cruise ships unless you're actually on it yourself lol

So from there after a wee sojourn in Powerscourt Town House for tea and cakes, it was a long walk to the exhibition which was a delight.  

As I said earlier I'll do a separate post for the exhibition .... stay tuned :)